To mask, by slight differences in the manner, a virtual identity in the substance': Berlioz's Symphonie fantastique and de Quincey's 'Confessions of an English Opium-Eater

Dennis Loranger; Barry Milligan

doi:10.3366/rom.2021.0522

To mask, by slight differences in the manner, a virtual identity in the substance': Berlioz's Symphonie fantastique and de Quincey's 'Confessions of an English Opium-Eater

Dennis Loranger
, Barry Milligan

English

Research output: Contribution to journal › Article › peer-review

Original language	English
Pages (from-to)	284-296
Number of pages	13
Journal	Romanticism
Volume	27
Issue number	3
DOIs	https://doi.org/10.3366/rom.2021.0522
State	Published - 2021

ASJC Scopus Subject Areas

Literature and Literary Theory

Keywords

Berlioz
De quincey
Form
Symphonie fantastique
confessions

Access to Document

10.3366/rom.2021.0522

Cite this

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To mask, by slight differences in the manner, a virtual identity in the substance': Berlioz's Symphonie fantastique and de Quincey's 'Confessions of an English Opium-Eater

ASJC Scopus Subject Areas

Keywords

Access to Document

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